Posts from the ‘Nikon 16-85 VR II’ Category
These boats have been in dry dock for the last 5 years we have visited Cozumel. I’m not sure when they are scheduled to return to sea? They made for a wonderful image with the sun setting behind them. I was really hoping to get a sun star shining through the windows, but I was just a bit too slow to the draw. Good thing we visit Cozumel yearly, I will have another shot at it…..unless of course they decide to re-comission these vessels.
Capture Notes:
Nikon D300
Nikkor 16-85 VR II
Gitzo Traveler
Aperture: f/8.0
Focal Length: 58 mm
ISO Speed: 200
Processing Notes:
Capture (8 Images)
NX2 Raw Conversion
Photomatix (HDR/Tonemapping)
NIK Define 2.0 (Noise reduction)
Photoshop (Curves adjustment global contrast)
NIK Color EFX Pro (Tonal Contrast)
Photoshop (Curves adjustment – selectively reduced the green in the foliage)
NIK Define 2.0 (Noise reduction)
Photoshop (Vibrance/Saturation selective to the boats)
Photoshop (Resize for web)
NIK Sharpener (Display adaptive 35%)
LightAsMagic.com
I’m going to go ahead and classify this image as ‘forward-recon’. I have been meaning to get down to the Gates Rubber facility knowing that it would offer some interesting subject matter. The traffic and weather weren’t very cooperative tonight, so I am planning on another trip. It will be either earlier in the morning, or later in the year. The sun needs to venture a bit further into the northern hemisphere for my vision. Until then, here is a preview from the scouting mission. Hopefully I can make it back before it is cleaned up…..I think I have plenty of time.
Capture Notes:
Nikon D300
Nikkor 16-85 VRII
Gitzo Traveler
Aperture: f/5.3
Focal Length: 65 mm
ISO Speed: 200
Nikon D300
Nikkor 16-85 VR II
Gitzo Traveler
Processing Notes:
Capture (5 Images)
Photomatix (HDR/Tonemapping)
NIK Color EFX Pro (ProContrast – Color correction)
NIK Color EFX Pro (Tonal Contrast – Desaturate and mid tone/shadow textures)
Photohop (Saturation/Vibrance selective to graffiti)
Photohop (Resize for web)
NIK Sharpener (Display 30% adaptive 60% output strength)
LightAsMagic.com
If I were to ever record an album, I think I would use this image as the cover art. In college, when my band recorded a demo, the cover art was nothing more than contact information. Obviously my rock n’ roll fantasy didn’t work out. It sounds cliche, however my band fell victim to ‘creative differences’. I think we would have been a great band. I doubt we would have headlined a stadium rock show…..without question we would have opened for someone headlining a stadium rock show. Anyways, I added a page to the site where you can check out monthly playlists I have created to spread the word about bands I would have loved to open for. Click here to take a listen.
Capture Notes:
Nikon D300
Nikkor 16-85 VR II
Exposure: 1/4000 sec
Aperture: f/5.6
Focal Length: 85 mm
Processing Notes:
Capture
NIK Silver EFX Pro
NIK Color EFX Pro (Color Stylizer)
Photoshop (Resize for web)
LightAsMagic.com
After an arduous day of car shopping, we decided to take a quick break from wheelin’ and dealin’….I don’t think the sales guy wanted us to leave, but my wife made it pretty clear we were going to. Just down the road, we found this great old silo. It towered above the suburban sprawl that surrounded it. You felt he had stories to tell. Hopefully, I was able to help him tell it.
In the video below, we grant the Tin Man’s wish and give him a heart using Photomatix and NIK Define 2.0, Color EFX Pro, and Viveza 2.
Note: Email subscribers will need to visit the site to watch the video.
Capture Notes:
Nikon D300
Nikkor 16-85 VR II
Gitzo Traveler
Aperture: f/16.0
Focal Length: 16 mm
ISO Speed: 200
Processing Notes:
Capture (9 images)
NX2 (Raw –> TIFF conversion)
NIK Define 2.0 (Automatic entire image)
Photoshop (Global Curves adjustment)
NIK Color EFX Pro (Tonal Contrast selective to the silo)
NIK Color EFX Pro (Brilliance/Warmth selective to sky)
NIK Viveza 2 (Brighten to of the silo)
NIK Viveza 2 (Saturation and structure boost to sky)
Photoshop (Size for web)
NIK Sharpen (Display 40% output)
LightAsMagic.com
Processing Video:
An astronaut with a day off from space walks, research, and mission tasks might want to take a break from the daily regiment of Tang to enjoy a nice pinot or cab with their protein paste. A quick trip to the wine cellar module on the International Space Station could provide such luxuries to our orbiting scientists. Although currently not available, or scheduled for production, a wine cellar would be a nice addition to the space based bed and breakfast. However, if there were such a thing, I believe this might be the wine cellar they would visit.
As a bit of an impressionist I commonly take creative liberties to realize my vision. Feel free to watch the video below to see how I use Photomatix 3.2 and a couple of NIK filters to build a wine cellar suitable for international space travel.
Capture Notes:
Nikon D300
Nikkor 16-85 VRII
Gitzo Traveler
Markin Q3T ball head
Aperture: f/16.0
Focal Length: 16 mm
ISO Speed: 200
Processing Notes:
Capture (7 images)
NX2 (Raw Conversion)
Photomatix (HDR/Tonemapping)
NIK Define 2.0 (Noise reduction)
Photoshop (Curves adjustment – global contrast/color correction)
Nik Color EFX Pro (Glamour glow – desaturate)
NIK Color EFX Pro (Tonal Contrast)
Photoshop (size for web)
NIK Sharpener (Display adaptive 35% selectively applied to the wine bottles)
LightAsMagic.com
…or, if you have time, you can just watch the video (length: about 10mins).
To find out more about NIK Software and their suite of filters visit their website at:
To find out more about Photomatix 3.2 visit HDRSoft’s website at:
You can use the coupon code LIGHTASMAGIC to receive a 15% discount on Photomatix
Sometimes you stumble upon a collection of colors and lines that you can’t help but fill your viewfinder with. After a scheduled photo-walk of the Denver Center for the Performing Arts, I was headed back to the car when this scene presented itself to me. I used a longer focal length to try and draw the compositional elements closer together. The brass star was pure luck.
Nikon D300
Nikkor 16-85 VRII
Gitzo Traveler
Aperture: f/8.0
Focal Length: 70 mm
ISO Speed: 200
Processing Notes:
Capture (7 images)
Photomatix (HDR/Tonemapping)
Nik Define (Automatic entire image)
Photoshop (Curves adjustment global)
Nik Color Efx Pro (Tonal Contrast selectively applied to buildings and stairs)
Sized for web
LightAsMagic.com
When I set out with my camera and nothing catches my eye’s attention, I force myself to look closer. On occasion I find something interesting.
Nikon D300
Nikkor 16-85 VR
Exposure: 0.008 sec (1/125)
Aperture: f/5.0
Focal Length: 50 mm
Exposure Bias: -5/3 EV
ISO Speed: 800
Processing Notes:
Capture
Aperture 2 (Contrast/Saturation Adjustment)
LightAsMagic.com
Tip: When you are out and about with your camera, don’t hesitate bringing it to your eye and looking through the view finder. As a photographer, I don’t always know what I am looking for. However, seeing the world through a lens helps me find it.
If nothing else, photography gets you involved in your environment. You take your time and see things you normally might not. This image was from a weekend photo walk I had scheduled a couple weeks back.
Nikon D300
Nikkor 16-85 VR II
Gitzo Traveler
Processing Notes:
Capture (7 images)
Photomatix (HDR/Tonemapping)
NIK ColorEFX Pro (Tonal Contrast for textures)
Photoshop (Curves adjustment)
NIK Sharpen (Display adaptive 30%)
LightAsMagic.com
On occasion, you just want to fill the frame with something interesting and click. This one was one of those times. The waves of clouds lit by the rising sun made everything on the ground meaningless, so I pointed my camera to the sky and……click. From my camera to your computers, with nothing in between.
Nikon D300
Nikkor 16-85 VR II
Processing Notes
Capture
Aperture (Raw Conversion)
LightAsMagic.com
Tip: To achieve a silhouetted foreground and a brilliant backdrop, you want to set your camera to capture the appropriate exposure for the sky which will leave your foreground dark and detail-less. To do this you can set your camera to ’spot metering’ mode, and meter for the sky. If you don’t have spot metering capabilities, you can use exposure compensation by reducing the metered exposure by several stops. Try making a couple image and review them in your LCD until you like what you see.
I had already packed up from an evening photo walk and was heading back to my car when I saw this building staring up at the moon. I had to join in.
Nikon D300
Nikkor 16-85 VR II
Gitzo Traveler
Processing Notes:
Capture (9 images)
Photomatix (HDR/Tonemapping)
Photoshop (Levels adjustment)
NIK Sharpen (Display adaptive 30%)
LightAsMagic.com
Had I had my wits about me, I would have been posting an incredible image of a full moon rising above the Denver skyline. It was an amazing moonrise and the image was ready for the making. Missed it! Ah well, thanks to Ptolemy I will be ready next time. I noticed the moon sets tomorrow morning at 7:17am. Check back to see if I woke up in time!
Nikon D300
Nikkor 16-85 VRII
Gitzo Traveler / Markins Q3T Ballhead
Processing Notes:
Nik ColorEFX Pro (Bleach Bypass)
Nik Viveza 2 (CP Contrast/Structure Boost)
Photoshop (Resize)
Flickr
Reminder: Just a reminder, the Illuminate Workshops evening photo walk is next week (Feb 6th). I’m not affiliated with them, but I do like to support the local photography community. It is a great group of folks who photograph the town red! To find out more, just visit their website.
It was unexpectedly sunny today so I decided to take a break from the black and white images I had been posting as of late and find some warm colors. I spent the sunset in downtown exploring a couple of locations I have had on the radar. The sun fooled me and I headed out out without gloves or a jacket. I froze my lens cap off.
Once the tallest building west of the Mississippi, the Daniels and Fisher Tower continues to stand proud amongst its modern day peers.
Nikon D300
Nikkon 16-85 VR II
Gitzo Traveler
Processing Notes:
Capture (7 images)
Photomatix (HDR Tonemapping)
Nik ColorEFX Pro (Brilliance/Warmth 75% Opacity)
Nik Sharpen (Display adaptive 30%)
Flickr
Tip: Can’t afford a Helicopter to gain an elevated perspective of the city, use a parking garage.
The Speer blvd. bridge makes for a grand entrance to Denver. I had been wanting to make an image of the bridge for some time. Recently, while attending a local evening photo walk sponsored by Illuminate Workshops I was able to get the job done. Originally I planned on shooting the bridge from a distance using a long lens to compress it against the skyline. I did that. However, when crossing back across the street I stumbled across this view. I’m glad Starbucks was on the other side of the street.
For more on the Illuminate Workshops visit their site:
http://www.illuminateworkshops.com/
Nikon D300
Nikkor 16-85 VR II
Gitzo Traveler
Processing Notes
Capture
Photoshop (Levels Adjustment)
NIK Sharpener (Display)
LightAsMagic.com
Tip: When you are shooting at night, really pay attention to your lighting. The light on the right was turning off intermittently and leaving that side of the bridge dark. I didn’t notice it at first, but after a couple clicks I did and was able to capture the even lighting.
Like a moth to a flame, I was drawn to the ice cream shop. Not for the ice cream, because it was below freezing Saturday night, but for the neon!
Note: Does anyone know if ‘but’ followed by ‘for’ is a violation of a grammatical rule? If so, let me know. It sounds odd.
Nikon D300
Nikkor 16-85 VR II
Gitzo Traveler
Processing Notes:
Capture (7 images)
Photomatix (HDR/Tone-mapping)
Photoshop (Levels Adjustment to correct color)
Nik ColorEFX Pro (Tonal Contrast to boost textures)
NIK Sharpen (Display adaptive 30%)
LightAsMagic.com
Tip: When photographing at night it is good to have a flashlight along. Make sure it is reasonably bright. You want to be able to illuminate a distant subject to aid in focusing. When I go out for an evening photo walk I carry a small MagLite in my bag as well as a head lamp.
I made this image in the early morning hours on the grounds of the historic Broadmoor hotel in Colorado Springs. I sat quietly next to the shore until these swans felt comfortable with my presence. I was able to make several images of them until a mean spirited raccoon chased me away. I’m not sure if it is the mask, the sharp pointy teeth and claws, or the ‘Get off my land…’ look, but I packed up quickly when he started to head my way.
Nikon D300
Nikkor 16-85 VR II
Gitzo Travler
